Archive for the ‘ exhibition ’ Category

Hybrid Psychiatry Room (beta version) in Medical Museion by Thomas Söderqvist

This post by Thomas Söderqvist has first been published on Medical Museion. Thanks to Thomas for the crossposting.

A couple of months ago we closed our psychiatry gallery on the 2nd floor in the museum’s Academy Building. Instead we have created a smaller room — a hybrid between exhibition, open collection, and study room/inspiration venue on the ground floor — which we call The Psychiatry Room

psyk feat eng

The planning for The Psychiatry Room began half a year ago when we realised we had to move the library, and that the best place to put the books was — right, the psychiatry gallery. Good for the books but bad for the psychiatry exhibit, which was only six years old.

We didn’t want to remove psychiatry from the museum altogether, however. Mental illness is a hot topic and our visitors love the history of psychiatry. We also had the ambition do some museological experiments. For example, we have been talking about open storage — to make much larger parts of our collections accessible for visitors — for almost a decade now. And I, for one, have long been toying with the idea of creating an acquisition room as a way of showing how medical heritage is created and inspire visitors to bring in stuff.

open storage

Storage racks in Medical Museion’s new hybrid Psychiatry Room

As a result of these considerations we came up with the idea of a hybrid museum room — a public space in the museum that combines several functions in one:

First, it is an open storage room, where you can see all the objects and images in our collections relating to psychiatry, including some archival records from the Danish psychiatry.

The acquisition storage rack to the left of the door

The acquisition storage rack to the left of the door

Second, it is an acquisition room, where we will exhibit all newly collected artefacts from today’s psychiatry.

So far we only have one single item in the new psychiatric artefacts acquisition storage rack

So far we only have one single item in the new psychiatric artefacts acquisition storage rack

We are starting out with a single storage rack, because we don’t expect a flood of artefacts to begin with — but as we acquire more things, we may have to add another rack (and hopefully a whole new room …).

Third, we see it as an inspiration room, where researchers, students , museum curator and members of the public are invited to come and look at objects and images and get inspiration to ideas for research, teaching assignments, exhibitions, art works, etc.

meeting roomIt can also be used as a seminar room, where students, psychiatric staff, officers and members of patient associations, etc. can meet over lunch or a cup of coffee and discuss the past, present and future state of psychiatry — with the stored artefacts and images as a backdrop.

gut bacteria articles

The meeting table in the room is placed close to a wall that is dedicated to possible future directions of psychiatry. In the next of couple of months we will use the white boards to ask questions about the newly discovered association of mental disorders with the gut microbiome. Can this exciting basic research findings be turned into new future psychiatric treatment methods?

The people behind the room are senior curator Niels Christian Vilstrup-Møller (curator) together with student assistants Mads Stender and Anders Stein Knudsen; conservator Nanna Gerdes (conservation work, Twitter documentation); web curator Daniel Noesgaard (metabolism wall); assistant professor Adam Bencard (metabolism wall); cand.mag. Peter Meedom (research); cand.mag.stud. Astrid Mo (web); and myself (idea and conceptual development).

Wonder: Art and Science on the Brain (London, Spring 2013)

The understanding of human thought, emotion, behaviour and expression are common to both neuroscience – the study of the brain and the nervous system – and to many artists working across visual arts, music, theatre, performance and film. Wonder brings together the Wellcome Trust and the Barbican for the first time – two cutting-edge organisations from both fields creating a rich season of events that explores and is inspired by where art and neuroscience collide.

Highlights include a music inspired performance lecture by Marcus du Sautoy; Ruby Wax giving a personal insight into her journey from the heights of fame to depression; a film season exploring mental health on the big screen; Salon a Parisian theatrical 19th century styled event that allows you to debate the big topics of 21st century; a science and art inspired Barbican Weekender – and a feast of other events that invite you to think, to explore and to wonder.

For more information, click here.

Cambridge Festival of Ideas – “Dreams and Nightmares”

From 24 October to 4 November 2012, the University of Cambridge Festival of Ideas is organising hundreds of free talks, performances and exhibitions under the theme “Dreams and Nightmares”. The events include:

Is purgatory a dream or a nightmare? (24 October)

An Anglican-Catholic dialogue and discussion on John Henry Newman’s ‘Dream of Gerontius’ with Reverend Peter Hayler, Chaplain to the University Staff and Father Andrew Ekpenyong, St Edmund’s College. Part of the Multi-Faith Series.

Walking the dreams and nightmares – FULLY BOOKED (24 October)

Were ‘Winnie The Pooh’ and ‘Arthur Dent’ dreamed up in Cambridge? Gallop through a galaxy of genres with the Society of Cambridge Tourist Guides on this family-friendly stroll of literary vistas. Book groups and bookworms welcome! Supported by Society of Cambridge Tourist Guides.

Disturbed nights and dreamy days (24 October)

Dr Charlotte Woodford, Department of German and Dutch, explores women’s emotional worlds in the German fictional works of psychoanalyst Lou Andreas-Salomé.

‘The Science of Sleep’ (24 October)

Lucy Cavendish College, in partnership with the Arts Picturehouse, will be showing a screening of Michel Gondry’s film, which explores the inner workings of a young artist’s imagination and dreams as he falls in love with his neighbour. The film screening will be followed by a short talk from Dr Isabelle McNeill, who teaches French cinema and literature in the Department of French. Ages 15+

Living the dream (24 October)

Buddhists reflect on the simile of the dream as a way to develop inner freedom. As we begin to awaken not just from the dream of life, but also from the dreaming self,through practical exercises and discussion. Part of the Multi-Faith Series.

A trail of polar dreams and nightmares (25 October)

Throughout the Festival, explore our trail of polar dreams and nightmares. Find untold secrets hidden in draws and strange objects that have crept into the cases.

Night thoughts and waking dreams (25 October)

A set of readings in response to the dreaming unconscious, curated by members of the English Faculty. People may join or leave at pauses rough on the hour, every hour. Watch live at http://www.english.cam.ac.uk

Poincaré’s dream (25 October)

What is the real geometry of space? Surely we can just go and measure it? Find out how Henri Poincaré, the French mathematical genius, had a dream that he could resolve the issue.

Dreams and nightmares in science fiction and fantasy (25 October)

Much science fiction and fantasy involves imagining worlds where our dreams or our nightmares have come true. As well as stimulating short papers from science fiction writers and researchers, there will be a panel discussion. Panel members: Dr Una McCormack, Toby Venables and Professors Sarah Annes Brown, Farah Mendlesohn and Rowlie Wymer. Presented by Anglia Ruskin University.

The search for the self in early 20th century German thought (26 October)

Dr Liz Disley, Department of German and Dutch, will explore the links between dreams and German philosophy. Descartes famously worried that all his experiences were dreams. However, for Edmund Husserl and his correspondents, and perhaps for us, dreams could be the key to unlocking the secrets of consciousness.

Creating dreamtimes (27 October)

Create stories in words and pictures based on ancient and modern dreaming, including Australian Aboriginal art and stories, and the ‘Creation Tales’ of poet Ted Hughes, who studied Archaeology and Anthropology in Cambridge. Presented by Museum of Archaeology and Anthropology, University of Cambridge, and Anglia Ruskin University.

For more information and to access the complete programme of events, click here.

Exposition : Entrée des médiums. Spiritisme et art de Hugo à Breton

Du 18 octobre 2012 au 20 janvier 2013, la Maison de Victor Hugo (Paris) propose une exposition consacrée au spiritisme et à l’art durant les XIXe et XXe siècles :

Cette exposition propose un regard historique sur les productions artistiques du spiritisme, étranges et involontaires, dont les médiums ne pensaient même pas être les auteurs mais les attribuaient à des voix et des mains d’outre-tombe.

En septembre 1853, suscitée par la visite de Delphine de Girardin à Jersey, la pratique des « tables parlantes » devient l’occupation principale de la famille Hugo. Jusqu’en octobre 1855, les tables dictent, dessinent même, exerçant une influence majeure sur la pensée et la création de Victor Hugo. Sous les mains de son fils Charles, le médium de ces séances, elles confirment du sceau de l’au-delà, la vérité d’un fonds d’idées philosophiques préexistant et qui, enrichi, va irriguer l’œuvre et le bouillonnement poétique et littéraire à venir.

En 1933, André Breton publie dans la revue Minotaure, « Le Message automatique » qui constitue une véritable entrée des médiums sur la scène artistique et la reconnaissance de leur rôle dans l’accroissement du domaine de la création vers les zones inconnues ou tout juste défrichée de notre inconscient.
Se donnant ces deux dates pour limites, l’exposition tente de rendre sensible le surgissement d’une nouvelle esthétique et d’un nouvel imaginaire qui vont, entre autres, alimenter le surréalisme ou grossir le flot de l’art brut.  Elle s’appuie sur des œuvres rarement exposées, sinon inédites, mises en relation avec les productions « littéraires » dictées par les tables.

Parmi les médiums se côtoient l’écrivain, le mineur ou l’employée, le modeste prend place à côté du  génie pour lever le voile sur le merveilleux. Cette exposition leur rend hommage à travers les œuvres de Victor et Charles Hugo, Victorien Sardou, Fernand Desmoulin, Hélène Smith, Gustave Le Goarant de Tromelin, Hugo d’Alesi, Augustin Lesage, Marjan Gruzewski, Marthe Béraud, Franek Kluski, Man Ray, Robert Desnos, André Masson, Yves Tanguy, Nadja, Nina Karasek, Madge Gill, Philippe Deloison… et d’anonymes.

« Si la science ne veut pas de ces faits, l’ignorance les prendra » déclarait Victor Hugo. L’exposition insiste aussi sur le mouvement d’étude suscité par les phénomènes spirites et en particulier sur la métapsychique – grâce à l’aide de l’IMI (Institut métapsychique international) –  qui a tenté de les comprendre, ouvrant une voie de réflexion sur les capacités de l’esprit humain et de l’inconscient.

Le catalogue de l’exposition, rehaussé de diverses illustrations inédites, comporte des contributions de Bertrand Méheust, Renaud Evrard, Jérôme Godeau, Gérard Audinet et Alexandra Bacopoulos-Viau.

Pour plus d’informations, cliquer ici.

Retour sur l’Expo

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L’histoire parcourt les Expositions Universelles, les kermesses, les Expositions diverses, et, après l’installation du “secteur” psychiatrique, les Expositions “en ville” (dans les bibliothèques, les mairies, les Centres artistiques). Est présenté aussi un retour sur la démarche originale initiée et développée par la SERHEP à Ville-Evrard depuis 2005 : construire et présenter chaque année dans son Musée des « installations artistiques », où les productions de nombreux ateliers en psychiatrie sont des acteurs de premier plan.

Ainsi, l’atelier Extravagances du Club de La Borde, a apporté au Musée de la SERHEP ses robes imaginaires pour l’Exposition sur la Vêture, les animaux fabuleux du Groupe Séquentiel habitèrent la ferme de Ville-Evrard reconstituée au Musée, l’atelier peinture de Champ Libre compléta l’Exposition sur « l’Enfermement et la Liberté » d’une série de tableaux spécialement créés pour l’occasion, etc. Unité ados de Montreuil, Association Présence de Bondy, atelier d’art-thérapie, ateliers de textiles peints, services techniques de l’hôpital, tous apportèrent leur contribution. La question majeure posée par l’installation étant: où est la meilleure place ? La meilleure étant celle qui parle mieux que les mots.

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