Archive for the ‘ announcements ’ Category

Het Dolhuys and The Madness & Arts Festival (NL)

The city of Haarlem (NL) is currently hosting the third edition of The Madness & Arts Festival (Sept 24 – October 3rd 2010), a festival that focuses on the interaction between art and madness:

Is there a correlation between madness and arts? How do artists acknowledge madness and how does their work influence the way we think about people with psychological disturbances? For ten days, the festival explores these questions within a comprehensive multidisciplinary programme including theatre, dance, film, music, visual arts, literature and poetry. A public meeting and the educational programme open up “madness” for discussion.

The festival site is located next to Het Dolhuys, the National Museum of Psychiatry, and initiator of the festival. There you can meet the artists, drink a cup of coffee with a psychiatrist, eat apple tart from Het Appeltaartenimperium, make your own Rorschach stain, or listen to a daily talkshow with the festival guests.  The Dolhuys also offers a series of daily activities and creative workshops designed for children and young people.

To see the program of the festival, click here.

Book announcement: Laurence Guignard – Juger la folie

Laurence Guignard, Juger la folie – La folie criminelle devant les Assises au XIXe siècle (Paris, PUF, 2010)

Des faits-divers aux réformes pénales, le thème de la folie criminelle est aujourd’hui fortement médiatisé.
L’ouvrage se propose de revenir sur son histoire et de saisir comment, au me siècle, au moment où la psychiatrie prend son essor, la justice a discerné les fous des sains d’esprit, comment elle a appliqué l’article 64 du Code pénal sur l’irresponsabilité des déments et comment, au fil des enquêtes judiciaires et des procès, a pu émerger puis se conclure un “diagnostic judiciaire” d’aliénation mentale.
L’intense effort d’élaboration d’une doctrine de la responsabilité ne résout que très partiellement les multiples difficultés pratiques auxquelles se confronte l’exercice du droit de punir. Du côté de la psychiatrie, les propositions contradictoires et fluctuantes des experts posent autant de questions qu’elles n’en résolvent. Les conceptions neuves de la folie comme la monomanie homicide, véritable folie du crime qui surgit dans le corpus médical autour de 1817, les instincts, l’hérédité morbide ou la dégénérescence, forment en effet autant de limites problématiques à l’exercice de la volonté libre supposée diriger le sujet responsable.
C’est alors la notion d’inconscient, non encore établie, qui travaille souterrainement la médecine mentale du premier XIXe siècle, faisant des salles d’audience un véritable laboratoire du sujet moderne. Dans la lignée des travaux de Michel Foucault, mais aussi de Gladys Swain et Marcel Gauchet, la réflexion porte sur la place croissante de la psychiatrie en justice, et s’inscrit dans l’histoire de la naissance d’un sujet psychique.

Arts in Mind Conversation Series (NY)

Arts in Mind is an original series of conversations with leading figures in the literary, visual, multimedia, and performing arts whose work touches on mental health issues. Co-curator of the series and author of Lincoln’s Melancholy, Joshua Wolf Shenk says:

The fundamental connection between human suffering and creative expression is one of the most enduring, and elusive, of human stories. It’s not just that so much piercing and original art springs from minds afflicted with mental illness, but that the arts lend dignity and humanity to the struggles and triumphs of people whose lives are full of hurt. Arts in Mind will be a centerpiece for exploring these connections — and, we hope, the centerpiece of a wide-ranging community that has long been exploring the arts and mental health.

Created by The Austen Riggs Center in collaboration with the Sandor Ferenczi Center at the New School for Social Research, the Art in Mind series kicks off on September 29, with a program entitled Elegies for Our Lost Asylums: a discussion on the restorative use of architecture, space and art, with Christopher Payne and Anna Schuleit.

Christopher Payne’s photography has artfully documented America’s vanishing architecture and industrial landscape. His new book, Asylum: Inside the Closed World of State Mental Hospitals (with an essay by Oliver Sacks) follows a 7-year exploration of America’s vast and largely abandoned state mental institutions. The New York Times called Asylum one of the best art books of 2009 and Dwell called it “astoundingly beautiful work on a subject that rarely gets the attention.” Trained as an architect, Payne is a graduate of Columbia University and the University of Pennsylvania.

Anna Schuleit’s early, large-scale installation projects revolved around psychiatric institutions: “Habeas Corpus” used the hallways and rooms of the abandoned Northampton State Hospital like the insides of an instrument for a performance of J.S. Bach’s Magnificat. “Bloom” consisted of 28,000 potted, blooming flowers throughout four floors of the at the Massachusetts Mental Health Center. Art Forum recently named “Bloom” one of the 10 outstanding art works in history. A 2006 MacArthur Fellow, Schuleit was trained at the Rhode Island School of Design.

(Elegies for Our Lost Asylums, September 29, at 8 p.m., at Tishman Auditorium, The New School, 55 West 13th Street, New York. Free; no tickets or reservations require)

The serie continues on October 20, with filmmaker Jeff Feuerzeig, who will screen his award-winning film, The Devil and Daniel Johnston.  Then, on Monday, November 22, Arts in Mind will feature acclaimed memoirist and poet Mary Karr.

For additional informations, click here.

New exhibition – “Forget me not”. Insights into asylum life around 1900

“Dr. Printzhorn, this is how it looks inside me”: For the first time the Prinzhorn Collection presents a major exhibition of testimonies from its historical collection, which reflect everyday life in psychiatric institutions.More than 120 exhibits, including paintings, drawings, collages, textile works and letters, offer a touching insight into the life of patients and at the same time present a wide cross section of the collection. Works by about 60 men and women are shown, from about 30 different institutions in the period from 1895 to 1925. We show not only famous “classics”, but also many pieces which have never been exhibited before. Madhouses, sick people’s cells, dormitories and dining rooms are documented, fellow patients and nursing staff are portrayed; an “order” is created for the “madhouse”. “May I have a piece of cake?” blossoms in dark violet; wanderlust is condensed into poetry: “Do you know the country of Orplid?” Irony and mockery are also coping strategies in “Narrenschindenau” (“Mistreat-Fool-Town”); evidenced by many caricatures, such as “Dr. Tränenausbruch” (“Dr. Burst-Into-Tears”). Nevertheless, the psychiatrist remains a “doctor and master”, as he is called in the countless letters – sincerely begging, or menacingly demanding – addressed to him asking for release after years, even decades of internment. The heartfelt, ever recurring wish not to fall into oblivion is the red thread running through the exhibition: “Vergissmeinnicht”, “Forget-me-not”; embroidered on a handkerchief, formulated as a poem, written in letters or painted as a bouquet.

For more information, click here.

New Exhibition: “The Weighty Body – Fat or Thin, Vanity or Insanity”

From October 8, 2010 till May 8, 2011 the Dr Guislain Museum in Ghent (Belgium) presents the exhibition ‘The weighty body’. It shows the fascinating ways in which humans have been dealing with their own bodily appearance. The central theme is a history of fasting. Why do people abstain from food? Are their motives personal or aesthetic, religious or financial? When do we speak of a deranged relation to one’s own body? The exhibition is centered around four major themes: (1) the elevated body or fasting and religion; (2) the body in politics and ideology; (3) body aesthetics and eating disorders; (4) the future of the body and medical technology. The accompanying catalogue (in three languages: Dutch, French & English) is lavishly illustrated. More information, click here.

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